Satisfied Customers
What our clients say
Colin Leonard
Glenn Schick Mastering
Hey Daniel. Glenn and I listened to your AFI1 compared to a Lynx AES16, and the AFI1 sounded considerably better! We will be using this with our Audiocube system.
Dom Torche
Studio Relief
From classical music to jazz stereo recording, to pop vocal or guitar or whatever you want to record — these preamps are just AMAZING! No noise, great sound and the de-esser it is just world-class.
Lincoln Zimmanck
Arf! Digital
Hello Daniel. My client that purchased the sixteen ADC2’s has them committed to the new Star Wars film scoring in January (2005). The score is composed by John Williams and Shawn Murphy is recording it.
Alan Silverman
Arf! Digital
Jim Anderson just used the ADC2 to capture the stereo mixdown of the new DD Jackson album and the new Patricia Barber CD for Bluenote. The results were excellent.
Francois Lalonde
Recording and Mix Engineer for Celine Dion
I’ve been using the Weiss ADC2 for many years to track vocals. I love this unit. It captures all the subtle details of the performer and the recording chain. It’s transparent with a high-end Weiss finish to the sound.
Helik Hadar
Engineer/Mixer of Herbie Hancockʼs: “River: The Joni Letters”
The Weiss ADC2 has the ability to capture the highest level of detail while keeping the tonal integrity of any instrument the best that I have heard. The ADC2 is my favorite converter.
Maarten De Boer
Master Works
For the first time in my digital mastering career I have the distinct feeling I’m finally hearing what’s really on the tapes and CDs delivered to me
Randy Leroy
Master Works
Took delivery of a DAC1 earlier this week. Sounds stunning! … just wanted to drop a line and say thank you.
Bob Boyd
Ambient Digital
I found that the DAC1 had a very clear, even balance that I felt very comfortable with. My clients love it.
Brad Blackwood
Euphonic Masters
I’ve never heard better than this new Weiss DAC1, and I’ve heard all the major players over the years.